Bloody Axe Wound (2024) Review: The Otherwise Quirky Meta Slasher Comedy Misses the Mark
Writer-director Matthew John Lawrence, whose previous feature-length credits include Two Pints Lighter and Uncle Peckerhead finds a fresh angle in
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Hollywood Movie Review
Wolf Man (2025) Review: Leigh Whannell’s Take on the Classic Lycanthrope Story is a Visceral Single-Night Survival Horror
In Leigh Whannell I trust, especially after his ingenious take on The Invisible Man told from a fresh angle and
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Den of Thieves 2: Pantera (2025) Review: Christian Gudegast’s Otherwise Refreshing Change of Pace in the Style of a Euro Thriller Resulted in a Tedious Sequel
Seven years of waiting seems like an eternity for the arrival of Den of Thieves 2: Pantera, the long-delayed sequel
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The Return (2024) Review: Ralph Fiennes and Juliette Binoche’s Reunion isn’t Enough to Compensate For This Visually Sumptuous But Languid Historical Drama
The Return reminds me of the 2004 era when historical epics Troy and King Arthur were stripped of their mythical
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Werewolves (2024) Review: A Straightforward B-Movie Action-Horror That Lacks Bite
The otherwise generically titled Werewolves boasts an intriguing B-movie storytelling hook: A supermoon phenomenon triggers an unusual global event, which
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The Order (2024) Review: Jude Law and Nicholas Hoult Square Off in Justin Kurzel’s Gripping Crime Thriller
Australian director Justin Kurzel ventures into the Michael Mann-style crime movie territory in The Order, adapted from Kevin Flynn and
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Anora (2024) Review: Mikey Madison’s Breakthrough Performance Elevates Sean Baker’s Overlong But Spirited Romantic Dramedy
Who could have guessed Sean Baker chose to open his Palme d’Or winner Anora with Take That’s “Greatest Day” playing
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The Six Triple Eight (2024) Review: Kerry Washington’s Scene-Stealing Performance Boosts Tyler Perry’s Cumbersome But Inspiring War Drama
Not a fan of Tyler Perry’s works with movies like Alex Cross and the recent Divorce in the Black terribly
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