Nosferatu (2024) Review: Robert Eggers’ Eerie and Atmospheric Vampire Horror Features a Top-Notch Cast
It never crosses my mind that Robert Eggers’ take on the Nosferatu remake turns out to be his most accessible
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Back in Action (2025) Review: Cameron Diaz and Jamie Foxx’s Winning Chemistry isn’t Enough to Overcome This Cliché-Ridden Action Comedy
The long-missed Cameron Diaz comes out of retirement and is Back in Action, her first in 11 years since Annie
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Bloody Axe Wound (2024) Review: The Otherwise Quirky Meta Slasher Comedy Misses the Mark
Writer-director Matthew John Lawrence, whose previous feature-length credits include Two Pints Lighter and Uncle Peckerhead finds a fresh angle in
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Queer (2024) Review: Daniel Craig Delivers His Career-Best Performance in This Meandering But Intimately Shot Romantic Drama
Luca Guadagnino returns to queer cinema — unless you want to count the homoerotic tension seen in Challengers — after
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Wolf Man (2025) Review: Leigh Whannell’s Take on the Classic Lycanthrope Story is a Visceral Single-Night Survival Horror
In Leigh Whannell I trust, especially after his ingenious take on The Invisible Man told from a fresh angle and
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Paddington in Peru (2024) Review: A Charming But Conventional Threequel
The absence of Paul King, who directed the first two Paddington movies is sorely missed in Paddington in Peru, the
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Night Call (2024) Review: Michiel Blanchart’s Debut Feature is a Reasonably Gripping Single-Night Thriller
Michiel Blanchart’s debut feature Night Call (originally titled La nuit se traîne in France) sees the Belgian writer-director explore the
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Den of Thieves 2: Pantera (2025) Review: Christian Gudegast’s Otherwise Refreshing Change of Pace in the Style of a Euro Thriller Resulted in a Tedious Sequel
Seven years of waiting seems like an eternity for the arrival of Den of Thieves 2: Pantera, the long-delayed sequel
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